Abstract

Petroleum, Nigeria’s major source of revenue is obtained in the Niger Delta. Yet, the region has been besieged by a lot of crises right from the colonial era. The process of crude oil extraction, resulting in oil pollution has done serious damages to the region, thereby hindering farming and fishing, the main occupations of the Deltans. This plunged the people into the unemployment that is responsible for poverty, hardship, diseases and deaths among the people. Deltans suffer so many losses, yet they are not adequately compensated. This is the cause of the Niger Delta crises. During the colonial era, the British government established oil companies to explore petroleum to enrich her home country, Britain, at the expense of the Niger Delta. Many years after independence, the condition of the region has remained deplorable due to corruption in Nigeria. Being exploited and cheated, the people resorted to different forms of protests, violence and militancy, that have culminated in social unrest in the region. Despite all efforts by the government to arrest the situation, the Niger delta issue has remained a serious problem of public concern, which needs permanent solution. To this effect, many Nigerian literary artists such as Ken Saro-wiwa, Tanure Ojaide, Kaine Agary and Helon Habila expressed their concern over the crises in their literary works, aimed at proffering permanent solution to the problem. This reiterates the importance of literature and the literary artists to the society. This paper examines and expounds how Helon Habila deploys language resources in his novel, Oil on Water, to convey the Niger Delta crises, their security risks to the society and the Nigerian economy, as well as the decisive steps to arrest the ugly situation.

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