Abstract

The church of Santa Maria della Croce in Casaranello (Casarano, Italy, 6th century) is an important paleo-Byzantine testimony in Southern Italy. The building is well preserved and corresponds more or less to its original structure because in the late-medieval age the community of Casaranum decided to move the residential area up the hill overlooking the original hamlet. The German art historian Arthur Haseloff (1872-1955) visited the church in 1907, intrigued by a bibliographic indication by Wladimir De Gruneisen, and he found it in the miserable condition of stall for sheep and goats. When he entered the church, he immediately realised he was in front of one of the most important jewels of the paleochristian art: a treasure fallen into oblivion and whose value deserved to be highlighted. Haseloff summarily analysed the site of Casaranello, paying particular attention to the mosaic. This research promoted a new awareness towards Santa Maria della Croce and laid the basis for the restoration interventions carried out during the second half of the ‘900s. In particular, the restoration and preservation interventions performed between 1971 and 1979 outlined new guidelines for the study of the building and its artistic heritage. In 2018 the writer of this essay published a new interpretation of the mosaic of Casaranello for the Esperidi Editions. In 2020, with Alessandro De Marco, first for Christian-Albrechts-Universität of Kiel (Germany), then for the Edizioni Universitarie Romane, he completed this research with further historical, architectural and artistic notes on the entire building. An unknown figure, depicted in fresco, has been identified as the emperor Constantine the Great, while the mosaic revealed its symbolic message: a cathartic journey of the soul <i>per aspera ad astra</i>.

Highlights

  • The church of Casaranello (Casarano, Italy), dedicated to Santa Maria della Croce, is one of the oldest and best preserved Paleo-Byzantine buildings in Southern Italy

  • From the late Middle Ages onwards, Casarano has expanded across the hill overlooking the original hamlet, which was founded in the late-imperial Roman age in the area surrounding the church of Santa Maria della Croce

  • A more articulated organisation of the conurbation dates back to the Messapian period: this can be inferred by the presence of entombments and by small traces of calcarenite walls. These walls are still present in the area surrounding Santa Maria della Croce, nearby the railway that, together with the bridge, separates contrada Casaranello from contrada Botte

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Summary

Introduction

The church of Casaranello (Casarano, Italy), dedicated to Santa Maria della Croce, is one of the oldest and best preserved Paleo-Byzantine buildings in Southern Italy. A more articulated organisation of the conurbation dates back to the Messapian period: this can be inferred by the presence of entombments (so far considered exclusively “medieval”) and by small traces of calcarenite walls These walls are still present in the area surrounding Santa Maria della Croce, nearby the railway that, together with the bridge, separates contrada Casaranello from contrada Botte. The site of Casaranello, for example, is situated in the area corresponding to the main crossroad of Salento: the one that from Taranto and from northern Japygia, passing by Manduria, Nardò and Alezio, branched off towards Ugento, Patù, Vaste, Castro and the seaports to the East This fortunate geographic position – confirmed in the Roman age by the construction of the Via Appia Traiana and of its prolongation conventionally known as Via Augusta Sallentina – fostered for centuries the transit of men, goods and different cultures.

Casaranello and the Spreading of Christianity
The Salvation of Casaranello
Rediscovery and Promotion of Santa Maria Della Croce
A Greek Cross Plan
Frescoes
The Mosaic: A Journey of the Soul
From an Iconographic to an Iconological Interpretation
10. The Jellyfish as Interpretation Key
11. A Compendium of Greek Philosophy and Hebraic Talmud
12. Reductio ad Unum and Journey of Initiation
13. Per Aspera Ad Astra
14. Conclusion
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