A Hundred Acres of America: The Geography of Jewish American Literary History by Michael Hoberman

Abstract

Reviewed by: A Hundred Acres of America: The Geography of Jewish American Literary History by Michael Hoberman Benjamin Schreier (bio) A Hundred Acres of America: The Geography of Jewish American Literary History By Michael Hoberman. New Brunswick, NJ: Rutgers University Press, 2018. xii + 183 pp. In one sense Michael Hoberman's short, smart, and pithy new book addresses a fairly straightforward topic: "The subject of this book is the historical relationship between the Jewish American literary imagination and the sense of place" (2). Accordingly, it sets itself a fairly straightforward task: namely, as he writes toward the book's close, "The essays in the book represent my best attempt to explore the role that the geography of North America has played in shaping the Jewish American literary imagination" (155), or, as he describes that attempt toward the book's opening, to explore "the ways in which Jewish subjects have engaged the long-standing American tendency to contemplate and experience geography as a crucible for the formation of cultural identity" (2). And yet, as we see in this last formulation, there's something more at work in Hoberman's work: critical energies more profound than merely parochially straightforward. The book's great strength—and its offering to the field—is to provide a way to de-exceptionalize Jewish American literary study; for once we recognize the role of geography in Jewish American writing, once we appreciate its "territoriality," we recognize that it shares its ground with other American writing and literatures. To understand "geography as a basis for literary and cultural continuity" is to understand Jews in America as neither "oppressed outsiders" nor "excessively complacent recipients of American privilege" (4), but rather as Americans actively engaged in experiencing and writing like other Americans. [End Page 299] This represents a critically significant—and salutary—departure from the way the field has heretofore conceptualized itself (though "taken itself for granted" is probably more accurate, at least if you ask me). One of the historicist side effects of multiculturalist pluralism in the humanities is that it's frequently easy to think of ethnicity- or identity-based literatures as more or less discrete entities—with African American literature indexed to something more or less knowable as African American experience, Queer literature indexed to something more or less knowable as Queer experience, and so forth—and it's easy as well to eschew theorizing how those various siloed experiences and symptomatic literary formations interact with, overlap, or interdetermine each other (other than, maybe, some gestures toward a minoritarian idea of oppression). In Jewish American literary study this thought-formation is often intimately bound up with, and indeed inextricable from, a foundational sense that immigration is the only real theory the field needs—that is, that Jewish American literature essentially tracks the chronologically progressive history of Jewish immigration to the United States (thus do scholars preoccupy themselves with talk of literary generations, for example, or with how temporal distance from the scene of immigration determines the contours of the literary imagination of identity). But with its focus on geography rather than immigration, A Hundred Acres of America explicitly challenges this often-unacknowledged immigration theory of Jewish American literature. As Hoberman succinctly claims in the Introduction, "This book argues that a rich and complex relationship with American geography itself, and not merely the immigrant experience, constitutes a central reference point and touchstone for the development, over the course of several centuries, of a Jewish literary consciousness in the United States" (4). In chapters on frontier writing by Jews in early America, on late nineteenth-century and turn-of-the-twentieth-century intellectuals who emphasized the Jewish presence in colonial American cities (and who therefore substantiated claims both to the "cosmopolitan and pluralistic origins of America's oldest cities" [46] and "Jewish participation in early American history" [53]), on early- to mid-twentieth-century middlebrow and middle-American Jewish writers (in which writers [End Page 300] like Edna Ferber challenge our preconceived romantic notions of regionalism by representing small towns as continuous with "other American environments" [78]), on late-twentieth-century Jewish writers' contestations of the pastoral mode, on turn-of-the-twenty-firstcentury literary returns to the shtetl...