Abstract

This article examines debates over architectural aesthetics between residents of Thai railway communities, state urban planners, and NGO activists. It interrogates the designs, colours, objects, and materials these groups use as they attempt to upgrade these settlements as part of a participatory urban housing project. I argue that through aesthetic practices, residents, planners, and activists propose, debate, and enact distinct political and moral orders. Houses, real and imagined, reflect these actors’ provisional attempts to answer contentious questions about what constitutes a legitimate political actor and what it means to live a good life in contemporary Thailand. Aesthetic practices thus constitute a ‘politics in the making’ that offers a means for actors to debate lived configurations of the political while simultaneously intervening upon it.

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