Abstract

Tomando como ponto de partida os aspectos mais inovadores de Paludes de André Gide, que fazem dele uma das portas de entrada da novelística contemporânea, nomeadamente a temática do «romance dentro do romance», e o tom satírico que percorre a obra, o presente artigo faz considerações comparativas e estabelece paralelos com as personagens e situações da primeira écloga de Virgílio, que serve de ponto de partida para o romance in progress que o narrador se propõe escrever.

Highlights

  • the satirical tone that runs through the work

  • which serves as the starting point for the novel

  • Refiro­‐me a Et nunc manet in te

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Summary

Introduction

Considering as a starting point the most innovative aspects of André Gide’s Paludes, which make it one of the gateways to the contemporary novel, namely the theme of a “novel within the novel” and the satirical tone that runs through the work, this article makes comparative considerations and draws parallels with the characters and situations in Virgil’s first eclogue, which serves as the starting point for the novel in progress that the narrator proposes to write. Publicado em 1895, Paludes é a sexta obra de André Gide e um dos textos literários mais desconcertantes dos finais do século XIX. Sarraute considerava­‐o um dos romances marcantes do nosso tempo, colocando­‐o junto a À la recherche du temps perdu, Die Aufzeichnungen des Malte Laurids Brigge, La nausée, Voyage au bout de la nuit, e Le miracle de la rose, e vendo­‐o, em muitos aspectos, como precursor do nouveau roman.

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