Abstract
This article focuses on travel accounts about Cornwall from “the long nineteenth century,” including those by Wilkie Collins and W.H. Hudson. The article traces a shift from a general hostility to “deformed” Cornish topography to an almost universal celebration of its “rugged beauty,” coupled with a consistent tendency to exoticize local culture, and considers the changing impetus of this othering—from an integrationist ideology at the outset, to a desire to maintain an exotic “elsewhere” as counterpoint to the metropolis later on. The second part of the article takes a self-reflexive approach, drawing on my own background as a self-identifying Cornish person to consider how such outsider representations might interact with local auto-exoticizing discourses. Drawing on Wendy Bracewell’s work on “travelee polemics” and the “travelee reader,” the article argues that receiving exoticizing travel texts may have a validating quality in a community that self-identifies as “different” from a national mainstream.
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