Abstract

The attempted extirpation of Indigenous populations has been an enduring condition of the ‘idyllic proceedings’ of primitive accumulation. For Marx, such acts of evisceration characterised the dawn of the era of capitalist production. Cormac McCarthy's novel Blood Meridian, or The Evening Redness of the West, is read here as one such ‘annal of mankind’ written in ‘letters of blood and fire’. More pointedly, by contributing to an interdisciplinary approach to world literature covering literary studies, geographical studies and political economy, it is argued that Blood Meridian should be considered a quintessential novel of the racial and historical geography of the frontier economy and its spatial expansion within the uneven conditions of capitalist development. This is evidenced through the real spaces and historical occurrences that shaped capitalist expansion recounted in the novel. The latter include the racialised acts of scalping Native Americans licensed by the state between the 1840s and 1850s in Mexico through the actions of the Glanton Gang; the slaughtering of the buffalo that reached its peak in the 1870s marked in the novel by bonepickers that trawl the calcined architecture for skeletons to turn into commodities for the West; and the systematic mapping and simplifying practices conducted through outposts of appropriation on the frontier, such as Fort Griffin, which signal the barbed-wire fencing of rangeland into ranches. The meridian of bloodiness marked by these racialised acts is therefore revealed as an intrinsic aspect of the literary economy of primitive accumulation.

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