Abstract

Empirical work has shown that people like visual symmetry. We used a gaze-driven evolutionary algorithm technique to answer three questions about symmetry preference. First, do people automatically evaluate symmetry without explicit instruction? Second, is perfect symmetry the best stimulus, or do people prefer a degree of imperfection? Third, does initial preference for symmetry diminish after familiarity sets in? Stimuli were generated as phenotypes from an algorithmic genotype, with genes for symmetry (coded as deviation from a symmetrical template, deviation–symmetry, DS gene) and orientation (0° to 90°, orientation, ORI gene). An eye tracker identified phenotypes that were good at attracting and retaining the gaze of the observer. Resulting fitness scores determined the genotypes that passed to the next generation. We recorded changes to the distribution of DS and ORI genes over 20 generations. When participants looked for symmetry, there was an increase in high-symmetry genes. When participants looked for the patterns they preferred, there was a smaller increase in symmetry, indicating that people tolerated some imperfection. Conversely, there was no increase in symmetry during free viewing, and no effect of familiarity or orientation. This work demonstrates the viability of the evolutionary algorithm approach as a quantitative measure of aesthetic preference.

Highlights

  • The scientific study of human aesthetic preference has a long history, beginning with early observations by Fechner (1876)

  • The literature about the aesthetic appeal of symmetry leaves three unresolved questions: (a) Is symmetry evaluated spontaneously? (b) Do people prefer perfect symmetry or ambiguous symmetry? (c) Do preferences for abstract patterns systematically shift with familiarity? We address these three research questions using a gaze-driven evolutionary algorithm technique (GDEA), which has already been used in other contexts, for example, to study preference for color–shape combinations and commercial graphics (Holmes & Zanker, 2008a, 2008b; Holmes & Zanker, 2012, 2013)

  • For the three groups of participants in the different instruction conditions, we measured the median value for the DS and ORI genes in Populations 1 to 20

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Summary

Introduction

The scientific study of human aesthetic preference has a long history, beginning with early observations by Fechner (1876). Empirical studies have provided reliable results: For example, symmetrical abstract patterns are rated as more beautiful than random patterns by the majority of people (Eisenman, 1967; Eysenk, 1941; Jacobsen & Hofel, 2002). Symmetry might be a predictor of attractiveness ratings in faces (Rhodes, Proffitt, Grady, & Sumich, 1998) and bodies (Bertamini, Byrne, & Bennett, 2013; Tovee, Tasker, & Benson, 2000), while Ramachandran and Hirstein (1999) listed preference for symmetry as one of their laws of artistic experience. Symmetry indicates health and reproductive fitness (Grammer, Fink, Møller, & Thornhill, 2003). Prevalence of symmetry in human designs and abstract patterns could be an overgeneralization of a perceptual mechanism designed to detect health and genetic quality

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