Abstract
Abstract: This article considers the continuing relationship between contemporary lyric poetry and prayer through readings of poems by Elizabeth Jennings (a British cradle-Catholic) and Louise Glück (an American of no professed religion). In different contexts, both turn to the concept of a "book of hours" for formal inspiration, and—like many contemporary poets—engage with prayer as a formal model for lyric poems. In a secular age this makes their lyrics self-reflexive, questioning lyric presence. Ultimately, however, prayer's formal involvement with lyric expression reveals that both prayer and lyric depend on a continuing capacity for (different kinds of) belief.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
