Abstract
Exploring aspects of the development of filmmaking research within the Academy over past decades, this article focuses on creative practice-based methods and the establishment of filmmaking as a legitimate research endeavour. It delves into the nuances of filmmaking research methodologies, specifically the rearticulation and repositioning of research practices to encompass both the work of filmmaking production and further filmmaking engagement with its reception. The importance of research statements in elucidating scholarly contributions made by films and other screen works, like scripts and video essays, is emphasised, alongside discussions of peer-review processes and the role of creative practice research journals in fostering critical dialogue within the filmmaking research community. Despite ongoing tensions between academic and industry requirements, the article argues for the progress of filmmaking research as a distinctive discipline with distinct methodologies, highlighting the need for continual refinement in quality assessment metrics to reflect the evolving nature of the field.
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