“A Different Sort of Map Altogether”: Reading Hugo Hamilton's Migrant Geographies in <em>Hand in the Fire</em>

Abstract

This study analyses how the migrant experience is reflected in the geography of Hugo Hamilton's work of fiction entitled Hand in the Fire (2010). The novel is told from the point of view of Vid, a Serbian immigrant who is trying to settle in Ireland. The young carpenter endeavours to fit in Irish society through his friendship with a young Dublin lawyer, Kevin Concannon, who tells him that a true friend would put his “hand in the fire” for you. Through the portrayal of these displaced characters, Hamilton explores his favourite themes of memory and belonging. This article focuses on the places depicted in the novel, from the Serbia that Vid has left in his past to the modern-day Dublin and the west coast of Ireland, in order to analyse how the settings of the narrative reflect the characters’ state of mind. Using Deleuze and Guattari's concepts of de/re-territorialization and of striated/smooth spaces, the examination of the geographies of the novel allows for a better understanding of the issues at stake for the characters. The liminal, deterritorialized figure of the immigrant represented by Vid is echoed by the smooth islands of the novel. In an archipelagic country where the coastline stands for the visual border, it is no wonder that the transnational protagonist is drawn to the Irish shores. On the edge of two cultures, Vid, who lives in Dún Laoghaire, south of Dublin, is gradually moving west to the striated landscape of Connemara, where he investigates on Kevin's aunt who drowned and was washed ashore the Aran Islands.