Abstract
PREFACE INTRODUCTION A-Z: Anatomy Apprenticeship Balance Dilation Dramaturgy Energy Equivalence Eurasian Theatre (NEW CHAPTER) Exercises (NEW CHAPTER) Face and Eyes Feet Hands Historiography Montage Nostalgia Omission Opposition Organicity (NEW CHAPTER) Pre-Expressivity Restoration of Behaviour Rhythm Set and Costume Design Technique Text and Stage Training Views BIBLIOGRAPHY ACKNOWLEDGEMENTS AUTHOR BIOGRAPHIES INDEX
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