Abstract

Mapping the distinctions and interrelationships between imagery and working memory (WM) remains challenging. Although each of these major cognitive constructs is defined and treated in various ways across studies, most accept that both imagery and WM involve a form of internal representation available to our awareness. In WM, there is a further emphasis on goal-oriented, active maintenance, and use of this conscious representation to guide voluntary action. Multicomponent WM models incorporate representational buffers, such as the visuo-spatial sketchpad, plus central executive functions. If there is a visuo-spatial “sketchpad” for WM, does imagery involve the same representational buffer? Alternatively, does WM employ an imagery-specific representational mechanism to occupy our awareness? Or do both constructs utilize a more generic “projection screen” of an amodal nature? To address these issues, in a cross-modal fMRI study, I introduce a novel Drawing-Based Memory Paradigm, and conceptualize drawing as a complex behavior that is readily adaptable from the visual to non-visual modalities (such as the tactile modality), which opens intriguing possibilities for investigating cross-modal learning and plasticity. Blindfolded participants were trained through our Cognitive-Kinesthetic Method (Likova, 2010a, 2012) to draw complex objects guided purely by the memory of felt tactile images. If this WM task had been mediated by transfer of the felt spatial configuration to the visual imagery mechanism, the response-profile in visual cortex would be predicted to have the “top-down” signature of propagation of the imagery signal downward through the visual hierarchy. Remarkably, the pattern of cross-modal occipital activation generated by the non-visual memory drawing was essentially the inverse of this typical imagery signature. The sole visual hierarchy activation was isolated to the primary visual area (V1), and accompanied by deactivation of the entire extrastriate cortex, thus ’cutting-off’ any signal propagation from/to V1 through the visual hierarchy. The implications of these findings for the debate on the interrelationships between the core cognitive constructs of WM and imagery and the nature of internal representations are evaluated.

Highlights

  • Mapping the distinctions and interrelationships between imagery and working memory (WM) remains challenging

  • Examples of drawing recorded in the posttraining scanning session are shown in Figure 3, illustrating the level of detail required to complete each drawing

  • Employing a novel memory paradigm based on drawing in normally sighted subjects while blindfolded revealed that the primary “visual” area V1 can be strongly activated in a non-visual WM task: the task of blindfolded drawing guided solely by memory acquired during haptic exploration of complex spatial structures, such as raised-line objects and faces

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Summary

Introduction

Mapping the distinctions and interrelationships between imagery and working memory (WM) remains challenging. Each of these major cognitive constructs is defined and treated in various ways across studies, most accept that both imagery and WM involve a type of internal representation available to our awareness; in WM, there is a further emphasis on goal-oriented, active maintenance and use of this conscious representation to guide voluntary action. The proposed structure included the central executive component and two active storage buffers – the visuo-spatial sketchpad and the articulatory/phonological loop. While the visuo-spatial sketchpad is considered to be responsible for the temporarily storage and manipulation of visuo-spatial material, the phonological loop is posited to provide a similar function for verbal material. An enhanced version of the multicomponent WM model added an episodic buffer (Baddeley, 2003)

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