Abstract

What neural mechanisms underlie the seamless flow of our waking consciousness? A necessary albeit insufficient condition for such neural mechanisms is that they should be consistently modulated across time were a segment of the conscious stream to be repeated twice. In this study, we experimentally manipulated the content of a story followed by subjects during functional magnetic resonance imaging (fMRI) independently from the modality of sensory input (as visual text or auditory speech) as well as attentional focus. We then extracted brain activity patterns consistently modulated across subjects by the evolving content of the story regardless of whether it was presented visually or auditorily. Specifically, in one experiment we presented the same story to different subjects via either auditory or visual modality. In a second experiment, we presented two different stories simultaneously, one auditorily, one visually, and manipulated the subjects' attentional focus. This experimental design allowed us to dissociate brain activities underlying modality-specific sensory processing from modality-independent story processing. We uncovered a network of brain regions consistently modulated by the evolving content of a story regardless of the sensory modality used for stimulus input, including the superior temporal sulcus/gyrus (STS/STG), the inferior frontal gyrus (IFG), the posterior cingulate cortex (PCC), the medial frontal cortex (MFC), the temporal pole (TP), and the temporoparietal junction (TPJ). Many of these regions have previously been implicated in semantic processing. Interestingly, different stories elicited similar brain activity patterns, but with subtle differences potentially attributable to varying degrees of emotional valence and self-relevance.

Highlights

  • Imagine you are at a New Year’s party

  • For the “Cage,” “King,” and “Fish” stories, subjects correctly answered an average of 4.4 ± 0.17, 4.2 ± 0.23 and 4.3 ± 0.16 comprehension questions, respectively, and there was no significant difference between stories (p = 0.73, Kruskal-Wallis test)

  • We presented a factual story about the composition of 4 33 by John Cage to subjects via either the auditory or visual modality

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Summary

Introduction

Imagine you are at a New Year’s party. A friend is recounting her recent trip to New Zealand, the television in front of you is playing a tennis match. If you are a tennis fan, you might find yourself following the game and missing part of your friend’s story, recognizing the need to correct your attentional focus. In both cases, the sensory inputs to your brain are identical while the stream of your conscious content is rather different. What brain mechanisms might contribute to the ongoing flow of your conscious mind beyond sensory inputs (James, 1890; Dehaene and Sigman, 2012)?

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