Abstract

Abstract Film critic and scholar Jean-Michel Frodon interviews Ukrainian filmmaker about his career, beginning with his training in mathematics and science (and the surprising connections between math and movies), his training at Russian film school, his relationship with various of his teachers, how he finances his films, and of course the films themselves, including Train Stop, My Joy, Blockade, Mr. Landsbergis, The Natural History Of Destruction, Maidan, Reflection, Austerlitz, In the Fog, A Gentle Creature, Donbass, and Babi Yarr Context.

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