Abstract
The most celebrated eminent Indian film director Satyajit Ray pasteurised the political history of India during 70’s and 80’s through his films. It looks different and gets more popularity. Politics, the word itself does not a word which used for valance and protest, otherwise politics is the internal evolution of human beings. The Ray characters played a very important role in deliver the political circumstances in 70’s and 80’s. It may be a striking political lesson. Politics, the word most commonly used for convey the provoking idea to the people. Satyajit Ray tries to wipe out the evil face of politics through his films In this study politically analysis the films Appu Trilogy, Jana aranya, Charulatha and Prathidhwani with the help of Indian political scenarios. This study is based on the content analysis of Sathyajith ray movies. The study conducted based on the method of mise-en scene of Sathyajith ray films. The study is also based on the theoretical frame work of Gandhian aproches and Marxian view. This paper finds out that, Sathyajith ray films are highly political, with respect to the senario of those period of film are made.
Highlights
The politics in the films of Satyajith Ray has not been much examined
There are many legends of Indian film making; Satyajith has yet not being recognised as a political film maker
When we closely examine his films, we could read out a close relationship with Indian politics in his films [1]
Summary
The politics in the films of Satyajith Ray has not been much examined. There are many legends of Indian film making; Satyajith has yet not being recognised as a political film maker. When we closely examine his films, we could read out a close relationship with Indian politics in his films [1] He was an Indian Bengali filmmaker, wildly regarded as the one of the great filmmaker in 20th century. Ray was born in the city of Culcutta in to a Bengali family prominent in the world of arts and literature Starting his career as a commercial artist, Ray was drown in to independent filmmaking after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica’s Italian neorealist film Bicycle Thieves [2]. During a visit to London, Ray directed 36 film including feature film documentaries and short He was fiction writer, publisher, illustrator, calligraphy, music composer, graphic designer and film critic. He authored several short stories and novels primarily. Aimed at fictional characters created by him, he was an honorary degree by Oxford University
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