A Comparative Study of Internal Music in the Lyric Poems of Anvari Abivardi and Zahiruddin Faryabi

Abstract

Anvari and Zahiruddin Faryabi are two of the most famous speakers in the history of Persian poetry. These two have had a major impact on Persian lyric poetry. This article is a research on the most important manifestations of poetry music in the lyric poems of these two poets. Therefore, after mentioning an introduction about these two speakers in the evolution and development of sonnets, he has studied the inner music (verbal novelty) in their sonnets and along with presenting graphs and analyzing statistics, has reached these results.Both poets have used internal music in inducing concept and influencing the audience. Due to the small number of his sonnets, Zahefaryabyabi has been able to show his mastery and skill well, so that in this Crafts such as phonetics, repetition, and full puns play the most important role in the inner music of his sonnets.Anwari has also benefited a lot from this type of music and has been much more successful than Zahir in this area, especially in wording, punctuation and repetition.If we look at the evolution of lyric poetry in the history of Persian poetry, we will find that there are poets who have played a major and important role in the promotion of Persian lyric poetry. It can be boldly said that Anwari and Zahir Faryabi are two of these poets with style and They were very influential in Persian lyric poetry. These two great lyric poets lived in Greater Khorasan in the sixth century, which is the peak period of Persian lyric poetry, and although they were very famous in the form of ode, but each Which have somehow been effective in the development and promotion of Persian lyric poetry. Regarding Anwari's role in the sonnet, it should be said: His importance in the sonnet is that he has brought the language closer to dialogue. In addition, it is for the first time in his works that we encounter the tenderness of a sonnet.