Abstract
As an emerging form of comedy, stand-up comedy has developed rapidly and attracted widespread attention in various countries today through the production and dissemination mode of new media. In order to better understand the cultural characteristics of stand-up comedy and provide methodological inspiration for contemporary feminist public expression, this essay focuses on online stand-up comedy in China and the United States. Drawing on relevant theories from feminism, gender sociology, reception aesthetics, and communication studies, this essay uses textual close reading and comparative analysis to examine the expressive characteristics and reception mechanisms of women’s discourse in these two countries. Through analysis, this essay concludes that the female comedic discourse in China and the United States, which differs in perspective, expressive approach, and offense and its re-speaking, is repeatedly negotiating resistance or compromise at the intersection of the three influencing factors, namely, the diachronic socio-cultural traditions, the synchronic audience acceptance, and the external impact of the market and censorship.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
