A Comparative Aesthetics Analysis on Song Dynasty Lacquer Dish in the Form of Plum Blossoms with a Red-brushed Pattern of Two Phoenixes

Abstract

The Chinese artcraft in Song and Ming Dynasty set a standard that is understood as both unique and influential. Through comparative research, the lacquered Artcraft in East Asia and Europe would provide a holistic view of how Chinese lacquer art craft transferred through dynasties. Two Chinese crafts, Ming Yongle red-painted tea flower round plate and the Song dynasty Lacquer dish in the form of plum blossoms with a red-brushed pattern of two phoenixes are illustrated. It then presents a gilt-bronze inlaid lacquer vessel from France in the reign of Louis XV, made by the Japanese and European Lacquer Bureau, and one can see the great difference between it and the two previous ones made in China. It is inlaid on the top surface with figures, carriages, and horses, as well as with figures of mountains, rocks, and trees, with most of the figures concentrated on the left side, while the right side is left relatively empty of white space. It is argued that from several aspects, the comparison is worthwhile.