Abstract
An exploration is presented of the use of Chaucerian poetics, specifically literary form, allegory and medieval compilation theory, to present evolution as a poetic structure in Richard Dawkins’ The Ancestor’s Tale, which is a popular scientific explanation of evolution modelled on Chaucer’s The Canterbury Tales. Dawkins addresses common misunderstandings of evolutionary theory, in particular regarding anthropocentric visions of human exceptionalism. Chaucer’s poetics provide an ethical framework for understanding the complex relations between parts and wholes (mereology) that underpin Dawkins’ ethical arguments about the place of humanity in evolution. Understanding how these two texts work together allows us to imagine new possibilities for relations in literature and science going forward into the 21st century, encouraging holistic grounds for knowledge that nevertheless retain the authority of disciplinary expertise.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
