Abstract
Predominant melody offers a complete representation of melodic contours of heterophonic Indian Art Music (IAM). A compact representation of melodic contours while preserving raga characteristics is proposed. Such representations have applications in music transcription, analysis, and synthesis. Contours are quantized on a pitch-time grid after normalizing critical points with tonic and rhythmic pulse period estimates. Non-uniform quantization intervals are selected from pitch and time scales prevalent in IAM, while accommodating pitch and inter-note-interval variations on pitch-time grid. An evaluation of quantized-reconstructed contours through listening tests by trained musicians shows raga preserving capabilities of the proposed approach in spite of alterations in contour shapes.
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