Abstract
This paper makes a case for Buried Culture—humanly modified packages of sediments and artifacts. Specifically, it argues that Buried Culture amounts to an a-social, literally posthuman, cultural being. The argument proceeds through three main steps. Firstly, drawing on the prototypical example of landfills, it demonstrates that while ontically solid, Buried Culture is epistemically vacuous. Secondly, placing it between sedimentology and archaeology, a diagnosis is offered: The epistemic vehicles at our disposal either acknowledge Buried Culture’s existence as a proper being or appreciate its cultural qualities, but not both. Thirdly, an aesthetically oriented approach is proposed, adopting the analytical reasoning of the art critic as a means to straddle this gap. To illustrate this, a small-scale case study is presented, concerned with an early 20th-century landfill near Tel Aviv, Israel.
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