Abstract

This article is based on longitudinal image-based research conducted with working-class immigrant boys and girls in a US public school context. Picture taking is one part of a larger ethnographic exploration of how the children perceive and navigate linguistic, cultural, race/ethnic and economic differences, family-school relationships, and self and identity changes over time. The article discusses a mode of visual research and analysis the author has adopted which is dynamic and relational; it resists any single orientation to children's photography – whether as an aesthetic experience, a socio-cultural activity or a cognitive-developmental process, to name three common perspectives. Instead, her goal is to create a ‘need-to-know-more’ stance towards children as knowing subjects and to appreciate the limits of what we can see, know and understand about their childhood contexts, individual subjectivities and exercise of multiple voices.

Full Text
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