Abstract
The article focuses on Iva Pekarkova's novel Gimme the Money and the notion of immigrant literature as a genre that should be read across diverse cultural and literary landscapes. Gimme the Money breaks new ground in ways of reading and writing about immigration by revising the notion of mobility, and by demanding the same mobility for the genre of immigrant literature. When allegorized by a cab, an immigrant's mobility is multidirectional and circular rather than one-directional and linear.
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