Abstract
Critical reception is central to the existence of Romantic legacies, and, in turn, takes on the function of a legacy for subsequent interpreters. In what follows I seek to recover a sense of the contribution made by A. C. Bradley to our understanding of Shelley.1 Convinced that there is much value in reviewing and re-considering past criticism which is now relatively neglected, the essay embodies the hope that thinking about the ways in which an author was once considered will involve, at least implicitly, reflection on current critical modes.
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