Abstract
One Of The salient characteristics of 20th century Mexican art and intellectual history has been preoccupation with the problem of national identity, or, put in another fashion, with the problem of defining lo mexicano. Most commonly, concern for lo mexicano and mexicanidad has been associated with the Mexican Revolution. The generally accepted assumption is that inasmuch as the Mexican Revolution was a revolution without ideology, it was not until Mexicans began questioning the meaning of their revolution that they asked—what are we? who are we? Yet, the volume and importance of the intellectual and artistic production of the post-revolutionary period notwithstanding, it is certainly true that Mexicans were concerned with the problem of national identity even before 1910.
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