Abstract

Kadare on the beach near the village of Qerret, Albania, in October 2020. Qerret lies on the Strait of Otranto along the Adriatic coast, about 175 kilometers from Brindisi, Italy. Turn to page 44 to read the cover feature about Kadare’s life and work. “With their departure, great writers like Aeschylus and Dante Alighieri seemed to have been looking for a way to return to that zone, that climate, and that chaos in which literature was born.”—Ismail Kadare Features WORLDLIT.ORG 11 PHOTO BY ALDO BONATA What is the difference between an o and an e in Spanish? For 51.06 percent of Argentina’s population, everything. LINGUISTIC R/EVOLUTIONS A Brief Exploration of the Use of the e in the Spanish Language as a Means of Combating Sexism Regardless of the Opinions of the Academy by Ana Ojeda PHOTO BY TIM MOSSHOLDER / UNSPLASH e 12 WLT WINTER 2021 I remember my father enthusiastically sharing his love for the film Deprisa, deprisa, by the Spanish filmmaker Carlos Saura. At the end, the song “Me quedo contigo,” an extraordinarily catchy tune with the chorus “si me das a elegir / me quedo contigo” (if you give me the choice / I choose you), plays over the credits. As I write these words to consider the use of the e in Spanish nouns as a means of doing away with the stereotypes and pressures that turn women into our worst possible selves— powerless, docile—I’m paying attention to the lyrics for the first time. Although, in a typically #patriarchal twist, the subject of the song is male, the choice described (the mere fact of having to choose) is essentially the one faced by women in romantic relationships ; the compromises they have to make if they are to fit within the traditional frameworks. In fact, women have to choose between work and family, because they can’t have both. Smart but tacky like most tango lyrics, “Me quedo contigo” portrays a tortured male desperate to win the love of a woman. But the reality of the cliché is the opposite and far more grim: in 2019, 280 femicides were recorded in Argentina, almost one a day—women murdered by their male partners or (in the majority of cases) ex-partners. Although it might not seem like it, these issues are related to representation and perspective . Who is represented, who is visible in the public eye and the collective consciousness . And how. And when. Women who are murdered or raped only seem to be seen once they are either already dead or violated. Before that, even when these crimes are reported, the state’s response is inadequate, often going no further than a restraining order or a panic button. The powers that be don’t see the urgency of the request for protection. What they see is exaggeration, pettiness, wanting attention, to make a scene, nagging, or madness. Inclusive (or antisexist) language and use of the e are very relevant to this. They make visible all those subjectivities that identify as being nonmale within language itself. This is just one of the ways women’s collectives are waging the battle to protect themselves, to live their lives free of violence , because language is a deeply political tool. To be visible linguistically is a means of changing how we are seen in real life. We are changing the status quo. Everyone knows that History is written by the victors (i.e., “men”). We live in hetero-patriarchal societies, communities governed by rules that allocate privileges (comparative opportunities) to those born with a dick between their legs. Across the social classes, that dangling organ smooths one’s path, tamping down the difficulties one faces in life. This in itself is already a feminist concept: recognizing there are collectives that have been marginalized, deprived of the rights and opportunities available to others. As is the concept of intersectionality : different aspects of social and political identities (gender, sex, race, class, religion, etc.) combining to create unique modes of discrimination and privilege. Women are the foremost marginalized majority in the world. In Argentina, according to data from the World Bank, women make up 51.06 percent of the...

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