Abstract

Discourse and practice are interdependent. Practice follows discourse, while discourse is generated by practice. As for the discourse on colonialism, there is a long lineage of engagements with the history of colonialism. One recalls papers by practitioners such as John Locke, Edmund Burke, James Mill, and Thomas Macaulay early on, and critiques of the practice by Hobson, Lenin, Luxemburg, and Schumpeter among many others since the height of imperialism. Numerous metropolitan fiction writers are obsessed by the presence of remote colonies from Melville and Flaubert to Conrad and Gide. Actually, hardly any Western writer from Jane Austen to Thomas Mann, from Balzac to D. H. Lawrence could manage to escape from the spell of modern expansionism. The modern West depends on its colonies for self-definition, as Edward Said's newest book, Culture and Imperialism, argues.' In the area of literary theory and criticism, however, the discourse on colonialism has a surprisingly brief history. One needs to remember that writers of the Negritude Movement and other Third World writers such

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