Abstract
In Gerontius's labor of love, the Life of Melania the Younger, the hagiographer makes it clear that this is an intentional exercise in memory-making as well as a performance of personal piety. To craft his hagiographical fantasy, Gerontius imports romantic themes from Greek romance novels and ancient dream theory to evaluate Melania's pre-saintly life. Here, I explore the framing of the vita as a genre-bending (bad) romance and resituate this text within a larger discourse of constructed male fantasies of gender-based violence. To accomplish this goal, I examine overlapping themes in Christian and non-Christian Greek novels to emphasize references to sexual violence in the Life of Melania the Younger. Then, I show how the use of ancient dream theory frames the hagiographical project and produces what I identify as a male fantasy. Finally, I conclude that the hagiographical project—the intentional act of writing holiness—produced a troubling vision of sanctioned domestic violence.
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