Abstract
Where is the face in interface? Where is the soft in ware? What is soft and where? What happens when a woman whose private acts of abjection (emotional labour, unpaid domestic work) that support—against her will—a political and economic status quo that perpetuates her situation, is offered a range of online platforms on which to screen her self? How does a woman in front of a screen begin to develop an online persona from which to perform this self? A number of thought experiments demonstrate (as demonstration is a screen mode) some of the available modes and their parameters.
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