Abstract

The purpose of the conference presentation upon which this paper is inspired was to present an innovative approach to motivate students to write in a second language during a first-year Spanish class. Usually, students comply with writing exercises that convey basic thoughts, due to constrained vocabulary and limited knowledge of grammatical concepts. The pieces they create are often simple repetitions of material already present in the textbook. In this case, the idea was to create a project that would be developed during the whole academic year. It consisted of creating a story of 100 words or less that would provoke the reader to think beyond the text and also motivate him/her to make connections between the title, the content, and the hidden message of the story. The format was a postcard, and the students had to add a creative piece of art on one side of the postcard and a story on the opposite side. The artwork was intended to add to the story. The objective of the project was for students to use their higher order cognitive abilities and subsequently realize higher levels of achievement (Burrowes, 2003; Railsback, 2002).The activity also aimed to encourage deeper student learning and self-regulated learning behaviours (Herington, 2008). The challenge was obvious: would students feel intimidated when presented with the project? How would they respond to the strict demands of the assignment? How would they deal with the creative aspect? How would they respond to formative feedback? How would they react to the public exhibition of their work? Throughout this article, responses to these queries are presented along with a discussion on how the activity could be applied across disciplines with similar end results. I hope this is the beginning of a productive dialogue.

Highlights

  • The activity aimed to encourage deeper student learning and self-regulated learning behaviours (Herington, 2008)

  • The challenge was obvious: would students feel intimidated when presented with the project? How would they respond to the strict demands of the assignment? How would they deal with the creative aspect? How would they respond to formative feedback? How would they react to the public exhibition of their work? Throughout this article, responses to these queries are presented along with a discussion on how the activity could be applied across disciplines with similar end results

  • Active learning activities in a large class may seem like an insurmountable task, but if they are tailored according to students’ needs, cultural backgrounds, and ability, the instructor may find that these are some of the most gratifying teaching and learning experiences for both instructor and students

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Summary

Project Guidelines

The goals and objectives for an activity must be clearly stated to students in order for them to take the task seriously (McClanahan & McClanahan, 2002). The Postcard Project was planned and structured in order to address various issues often encountered in a large class: it tries to accommodate different learning styles; emphasizes. 9. The final postcard will be evaluated out of 15%: story creativity and vocabulary 6%; introduction 3%; twist at the end 3%; and graphic design and presentation 3%. The final postcard will be evaluated out of 15%: story creativity and vocabulary 6%; introduction 3%; twist at the end 3%; and graphic design and presentation 3% This activity allows students enough time to work on the story. The fact that the project was ongoing and always discussed during class time when questions arose, promoted students’ attendance They felt personally responsible for the learning process and took ownership of the project with a deep sense of pride and responsibility. The postcards’ topics addressed many issues that are usually not discussed in a first-year language class: suicide, drug abuse, violence against women, poverty, and family problems, among others

Outcome and Conclusion
Clearly knowledge with others explained
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