4712067 R.F. coil system for generating and/or receiving alternating magnetic fields

Abstract

This paper examines the intertextual dialog between Shakespeare's play Romeo and Juliet (1595) and the Swedish film Wellkåmm to Verona (2006) by Suzanne Osten. In the film adaptation, Verona no longer refers to an ancient town in Northern Italy that tries to control its passionate youth. Instead, it is the name of a residential home for older people where the dementia-afflicted Walter, former director of the Swedish Royal Theatre, stages Romeo and Juliet with his co-residents. The article explores the question what the film can do to its viewers in terms of overcoming the stigma attached to dementia. It focuses on the formal strategies that the film adaptation makes use of to imagine people with dementia other than lost selves during the staging of the canonical love story, ultimately entwining Eros and Thanatos.