Abstract

The recent proliferation of commercial three-dimensional digital scanning devices has made 3D scanning, and virtual and physical replication, a practical reality in the field of heritage preservation. 3D scanning produces a high-precision digital reference document that records condition, provides a virtual model for replication, and makes possible easy mass distribution of digital data. In addition to research, documentation, and replication, 3D data of artifacts are increasingly being used for museum collections storage and packing designs. The cost and complexity of 3D imaging technologies have made 3D scanning impractical for many heritage institutions in the past, but this is changing, as an increasing number of commercial systems are being tailored and marketed for heritage applications. This paper presents a review of the current state of 3D imaging in the cultural heritage field, methods of physical replication, the different systems used in heritage applications, criteria for choosing a system, and the techniques used for working with the data. Attention is given to identifying those objects that are not likely to be suited for 3D scanning.

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