Abstract

This paper reports the results obtained from the workflow designed for the 3D survey of a Renaissance panel painting using close-range photogrammetry and conoscopic laser microprofilometry, before and after its restoration. The artwork under examination is the central panel of a Renaissance polyptych realized by a late Gothic painter active in central Italy in the late 15th century. This painting has had a rather troubled conservation history following numerous adverse events that have severely damaged it structurally. In preparation for restoration work, the fusion of point cloud data derived from active and passive sensors served to create a single multi-resolution model on which to conduct advanced metrological analyses for multi-temporal monitoring of the changes undergone by the panel painting during and after structural restoration.

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