Abstract
Before I could consider the foregoing processes in various aspects of prehistoric Georgia culture I first had to determine what changes, if any, took place, and in what categories. Also, I had to decide, when it was possible to do' so, to which of my categories of cultural traits each ceramic feature belonged. For example, is fabricmarking a decoration or is it simply a technical product, resulting from wrapping a vessel in a fabric before it was wholly dry? Was surface color of unpainted vessels deliberately controlled by the ancient Indian potters, and thus an aesthetic trait, or were only technical manufacturing motives and accidents of firing involved?
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
