Abstract
In the history of modern art, the concept of 'space' has been emphasized and treated as a very important element. Among the various artistic trends that emerged in the 1960s, this research focuses on minimalism, analyzing the various interpretations of space in minimalism. Minimalism replaced the pure space of mod-ernism with an experiential space, inviting the viewer to experience the artwork through their bodies. Furthermore, this research examines the installation art works of two Korean artists, Park Yeojoo and Kang Eunhye, and proposes an installation art education program for spatial reawakening. The significance of this research is to examine and interpret the changing perception of 'space' in American art in the 1960s, and to specifically identify the contribution of minimalism to the redefinition of the concept of 'space' in art history.
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