Abstract
This study aims to analyze the development of the "agglomerate museum" which appeared in Germany at the beginning of the 1890's. At first, this new type of museum architecture mainly depended on the interior planning (: to consist of various exhibition rooms which correspond to each collection), without presenting distinct exterior design. Although the prosperity of this type around 1900, its interior exhibition planning slowly gained the critics and doubts because of its practicability. And as the last example, the Markisches Museum was presented in 1908, emphasized the exterior design which consisted of various local architectural styles, independent of the interior system.
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