ФОРМИРОВАНИЕ АУТЕНТИЧНОГО ИСПОЛНИТЕЛЬСТВА КАК ТЕНДЕНЦИЯ МУЗЫКАЛЬНОЙ КУЛЬТУРЫ XX-XXI ст.

Abstract

The article is devoted to the study of the authentic performance periods formation and the definition of their specifics. The evolution of the origin and formation of ancient ensembles, both instrumental and vocal, and their rapid growth around the world are analyzed. The works of many researchers are devoted to the study of ancient music: V. P. Kachmarchik, R. Taruskin, N. V. Sikorskaya, etc. but the lack of musicians attention and theoretical studies to the issues of specificity and authentic performance development are emphasized. As a result of work the review of the most known ensembles and ancient music performers of Western Europe, Russia and Ukraine of the second half of the XX-XXI centuries is made and also specificity of each ensemble is defined. The staging of «Dido and Aeneas» by I. Korol and «Boris Godunov» by A. Reshetin operas and their performing versions are compared. By the beginning of the XXI century, the phenomenon of Early Music has firmly taken its place among the other musical directions of our cultural life. The prospect of further research is in a detailed examination of each period of authentic performance.