Abstract
The article analyzes the problem of the correlation between the European classical traditions of choral (primarily liturgical) music development and its specific qualities in the Russian musical culture of the second half of the XVIII - the beginning of the XIX century. By the example of creativity by J. Sarti and O. A. Kozlovsky, the author considers the practice of the adaptation of imported liturgical genres (oratorio, requiem) on the Russian ground. The paper examines the degree of the actualization of the traditions of Russian spiritual music by composers of foreign origin and the embeddedness of their liturgical compositions in the context of the Russian musical culture of the period under consideration.
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