Abstract
Abstract The article deals with the political, theological and cultural dialogue between papal Rome and Imperial Constantinople. The period of 6-8th centuries is the one of Byzantine domination in Rome, and a number of Roman frescoes belong to this period, whose style and iconography give insights into the theological and political polemics, or into the cultural influence of early Byzantine art on the local tradition. Art works are rarely used or not used at all as sources in the study of relations between the two capitals and iconoclasm. This study can helpfully contribute to the overall research view on the subject.
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