Abstract
This review is an attempt of a critical generalization of the first monograph devoted to the phenomenon of Participatory Art – «Artificial Hells: Participatory Art and the Politics of Spectatorship» by Claire Bishop. Аuthor focuses on the problems of the binary of active and passive viewing, art after a «Social turn», the concept of ethics and the phenomenon of theatricalization in contemporary art.
Highlights
КРИТИКА MINIMA: ЯК ПОДОЛАТИ В СОБІ ЕТИЧНЕ РЕЦЕНЗІЯ НА КНИГУ «ШТУЧНІ ПЕКЛА
This review is an attempt of a critical generalization of the first monograph devoted to the phenomenon of Participatory Art – «Artificial Hells: Participatory Art and the Politics of Spectatorship» by Claire Bishop
Аuthor focuses on the problems of the binary of active and passive viewing, art after a «Social turn», the concept of ethics and the phenomenon of theatricalization in contemporary art
Summary
КРИТИКА MINIMA: ЯК ПОДОЛАТИ В СОБІ ЕТИЧНЕ РЕЦЕНЗІЯ НА КНИГУ «ШТУЧНІ ПЕКЛА. ПАРТИЦИПАТОРНЕ МИСТЕЦТВО ТА ПОЛІТИКА. This review is an attempt of a critical generalization of the first monograph devoted to the phenomenon of Participatory Art – «Artificial Hells: Participatory Art and the Politics of Spectatorship» by Claire Bishop.
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