Abstract
An analytical review of the scientific monograph devoted to the comprehension of profound changes in the fiction of the second half of the 20th century and the early 21st century is presented. The novelty, relevance and theoretical significance of the monograph, determined by the creation of a holistic typology of nonclassical artistry based on a multidisciplinary approach to the problem of its origin and functioning, as well as a specific combination of aesthetic and literary analysis of texts, which allowed typological generalizations, are substantiated. The significance and scientific prospects of the contribution of the monograph authors to the study of the problem of nonclassical artistry, to the formation of new ideas about modern theoretical poetics and related features of the literary analysis of contemporary art texts have been confirmed.
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