УТВЕРЖДЕНИЕ ПРИЕМА: ГРАММАТИЧЕСКАЯ АТТРАКЦИЯ В ЛИРИКЕ МАРИНЫ ЦВЕТАЕВОЙ 1922-1923 ГОДОВ

Abstract

The research deals with the grammatical attraction as a typological characteristic of Marina Tsvetaeva’s poetic individual style. The purpose of the article is to trace how various types of grammatical attraction are used by Tsvetaeva in the period of 1922-1923, for which these methods are relevant. The theoretical basis of the work is the doctrine of the grammatical attraction of A.A. Potebnya. Attraction of forms is called the assimilation of grammatical forms at the derivational, morphological and syntactic levels of the text. Cases of unintentional attraction of a diachronic order and examples of using attraction as a poetic method focused on increasing the expressiveness and fascinativity of a poetic text are distinguished in the research. Patterns of the second type which are characteristic for Tsvetaeva’s individual style are considered. The role of the grammatical semantics of units subjected to assimilation in the formation of poetic meanings and their participation in the compositional organization of verses is analyzed. The study allowed us to make a number of generalizations. The grammatical attraction of various types is widely used: derivational, morphological and syntactic in the lyrics of Marina Tsvetaeva in 1922-1923. In most cases it is supported at the sound level by a paronymic attraction. The attraction of different types is combined in a significant number of poetic fragments. The combination of methods of units assimilation in different groups and the active use of the method leads to the creation of works, composition, semantic and sound rhythm of which are based on the attraction of forms, meanings and senses. The prospect of the study is the study of the formation of the artistic tradition of using grammatical attraction in Russian-language poetry as a versionification method that increases the polysemy, rhythm and fascinativity of the poetic text. Keywords: poetic text, poetic morphology, attraction, actualization, condensation, juxtaposition.