КЫТАЙ КЫРГЫЗ АКЫНДАРЫНЫН АЛГАЧКЫ ЫРЛАР ЖЫЙНАГЫ

Abstract

The actuality of the article differs from the fact that it focuses on the creative workshop of 22 poets-writers included in the collection of poems "Kerme Too", which gave a message of Chinese Kyrgyz literature in Kyrgyzstan in the 60s, and reviews their issues, ideological- artistic features, and thematic directions in a consistent and chronological direction. The said collection was prepared for publication in the city of Urumqi by the Xinjiang People's Press in 1962 on behalf of the Xinjiang Uyghur Autonomous District Branch of the Jungo Writers' Society. Before the establishment of the "Shinjan People's Press" in the late 1950s, local Kyrgyz published in Uyghur and Kazakh languages, and only in the early 1960s when publishing houses in their native language were established, it was first recognized by readers as a collection of poems, and during the 1960s, it informed the poetry of Kyrgyz literature. For the purpose of the study, we will focus on the life and creative pursuits of 22 poets and writers, observe the different characteristics of each of them, the artistic values that attract the readers in the lines corresponding to the poem, the shortcomings and successes encountered, and we will talk about the representatives who first contributed to Kyrgyz poetry as a collection. As a methodological guide, the creative ways of poets-writers, their poems of different content, and theoretical works were included in the collection of poems "Kerme Too". For this purpose, the results of the review will provide literary researchers in Kyrgyzstan with consistent information about the period of Kyrgyz literature in China in the 60s, including the period when poetry was first formed.