Abstract

The article examines aspects of the research interpretation of ideologized creativity based on early Soviet Kabardian poetry. The collection of poems and songs "The First Step" is involved in the analysis. The main attention is paid to the specificity of the ideals associated with the implanted system of values, and the problem of determining the axiological foundations for the interpretation of politically engaged works. The relevance of the study is due to the need to concretize the history of the first decades of the Adyghe Soviet literature, as well as the fact that the collection of poetry, significant for the indicated period, has not yet been the object of interpretation of modern literary criticism. The axiological aspect of the study of this collection is revealed in the correlation of the events depicted in it with their cultural and historical context. In the chosen research perspective, the obvious imperfections of the collection, concerning the formal features of the works included in it, are transformed into one of the components of its value content, read as a way of perception by the authors of the significant phenomena of contemporary reality. In addition, the studied material allows us to conclude that in the context of the transformations of the period under consideration, two different realities dramatically coexist, which are commonly denoted by the word “ideal”. In one of them, the ideal is the result of a difficult path that runs through the levels of the value system, in the other, it is a certain predetermined template that is not burdened by the preceding “value history”, but, nevertheless, is obliged to take on all the functions of the ideal.

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