Фраземіка поетичних творів Миколи Руденка

Abstract

The article presents a general description of the phrasemicon of M. Rudenko, used in the poetry of the artist, clarifies its function and pragmatic intentions of the author. The subject of consideration were the poetic works of the artist, placed in the collection of Mykola Rudenko „Poetry” (Kyiv, 1991). The research introduces a descriptive method of studying linguistic phenomena with its procedures of semantic-stylistic and contextual-interpretive analysis. Phrases used in the poetic works of M. Rudenko complement and clarify the metaphorically expressed idea. It is no coincidence that the leading role in the poetic texts of the artist belongs to the figurative and expressive phraseology, which often includes metaphorical units. In his poems, the writer opens up greater opportunities for the realization of his creative ideas. Therefore, in addition to these stable combinations of words, the author uses constant comparisons, euphemisms, hyperboles. The thematic grouping of poetic works allows us to identify stable combinations of words used by the master of the word to depict the image of the author, his opponent. Therefore, we can talk about the phraseological portrait of the Ukrainian people in the poetry of M. Rudenko, his native land, as well as the lyrical hero and his opponent. With the help of phrases the poet figuratively reproduces the attitude of different groups of the population to the language, determines the place of the native language in the life of the Ukrainian people. Using various ways of stylistic use and contextual transformation of phraseological units (creation of semantic oppositions, use of antonymous opposition, semantic renewal), the poet often modifies them in order to give the expression a certain connotation, strengthen the expressiveness of the phrase, update its semantic nuances. This is served by the methods of expanding the component composition of a stable combination of words, permutation of components, introduction of a phrase into a new context, lexical replacement of one component by another. Using the image, which became the basis of common phraseology, the author often forms a stable combination of words.