Abstract
The article examines the motive of dream in the creative work of Ğabdulla Tuqay and the Tatar poetry of the beginning of the XX century. The authors propose a different approach to studying the motives of the poet’s creative work: a certain motive is analysed in the context of the Tatar poetry of this period, the paper focuses on identifying stable semantic variants conditioned by the peculiarities of literary process. Special attention is paid to the analysis of the chosen motive both at the level of poetics and at the semantic level by the material of the lyrical and lyrical-epical works of this period. The paper concludes that the motive of dream dominates in Ğabdulla Tuqay’s poems and the Tatar poems of the beginning of the XX century written in the critical realism genre. This motive has national significance and is observable in the lyrical-epical works of other authors where it correlates with the modernistic paradigm.
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