Теоретико-методические основания в развитии художественного образования обучающихся

Abstract

The study appears relevant due to the need of theoretical and applied pedagogy to research the issues of art education concerning its theoretical and methodological aspects. The purpose of the research is to study the theoretical and methodological principles in development of art education. Attention is drawn to the content of the Art Education Framework as a federal-level document that develops the strategy of the cultural policy of the Russian Federation in the designated area and regulates art education in educational organizations of different levels. Research results. It is shown that the creation of art education theories is a rather complex process which makes scholars consider basic scientific theories: the theory of artistic perception and the theory of artistic creativity, which are regarded through their applied aspect. Our interest in visual fine art determines the prerequisite of considering the theories of visual fine arts in various historical periods. These theories serve as a theoretical basis both in the field of art education and in the field of fine arts. The article summarizes the main movements in teaching fine arts at school created by various authors. The article emphasizes that the study of both these movements and the fine arts educational programs that correspond to them facilitate the choice in favor of the program that would fit the curriculum of a particular educational organization. The idea of what results of students’ visual arts development should be is reflected in both the concepts and methods of fine arts education that are presented in the program an educational organization will choose. These results become the methodological basis in development of art education. Main conclusions: the article emphasizes the necessity to carry out theoretical and methodological research in the field of art education as well as to overcome the problems of creating “coherent” theories of art education, theories of visual fine art and methods of teaching it based on the experience accumulated by Russian and foreign theorists and practitioners.