Толстой и Достоевский: два образа обретения Бога

Abstract

The religious opposition of Tolstoy and Dostoevsky was formalized (or even created) and was significantly widened in the works of Russian religious philosophy. The almost unconditional acceptance (or at least sympathy) for Dostoevsky's religiosity, along with distrust and well-known criticism of Tolstoy's later religious works, was firmly entrenched in the Orthodox and general cultural consciousness for more than a century. However, the confrontation was never taken seriously. We want to outline the insurmountable chasm between two images of finding God using the example of the relationship between Raskolnikov and Sonya Marmeladova on the one hand, and Father Sergius (Stepan Kasatsky) and Pashenka (Praskovya Mikhailovna) on the other. These examples are of a paradigmatic nature and can be extended to other artistic and religious (in Dostoevsky's case, journalistic) works of Dostoevsky and Tolstoy. From the legacy of Russian religious philosophy for the consideration of the works selected in the article ("Crime and Punishment" and "Father Sergius"), Bulgakov's "The Man-God and the Man-Beast" has the greatest and characteristic value. The opposition set by Bulgakov between Tolstoy (using the example of later works) and Dostoevsky (using the figure of the elder Zosima) is considered a misunderstanding by us. Bulgakov biasedly understands the religious meaning of Tolstoy's later texts. We offer a different reading of "Father Sergius" and raise the question of different images of the attainment (finding) of God in the texts of Tolstoy and Dostoevsky anew.