현대 중국인의 정신승리법 : 자핑와(賈平凹) 『가오싱(高興)』과 아간(阿甘) 〈가오싱(高興)〉에 대한 단상

Abstract

As the bottom narrative written by a famous novelist, Jia Ping-wa is changed to the diaosi narrative by a Hong Kong film director, Ah-gan, it creates the Gao-xing mental victory method which is the result of adding the Don Quixote mental victory method to the Ah-Q mental victory method. And as it is combined with the shan-zhai cultural elements in this process, such unique ideological movies are created. What is the problematic of this movie is to create a model of ideological movies in a new genre by producing a musical-comedy new year’s film after changing Jia Ping-wa’s novel with the representative bottom narrative grabbing many people’s attention to the diaosi narrative mixed with the shan-zhai elements and wulitou elements that used to be regarded to be at the antipode of mainstream culture. Here, the researcher pays attention to the point that the film has extended the area of mainstream culture by burrowing into the gap of mainstream culture with the use of anti-mainstream elements such as shan-zhai and wulitou elements. When the Ah-Q mental victory method that has been criticized as a model of unawakened farmers by intellectuals for a long time evolves into the Gao-xing mental victory method, does the modern China ask migrant workers to solve their own dissatisfactions through the ultra-positive mind by acknowledging the Gao-xing mental victory method? The researcher thinks that this is the reason why Ah-gan’s film could easily enter the continental market as a new year’s film. Above this, the main character, Gao-xing’s perception of city under Jia Ping-wa’s perception is also very interesting.